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Building soul into
a machine designed
for scale.

Building soul into a machine designed
for scale.

Role:

Early designer,
Environmental Design Manager

Date:

2008-2013

Preview

facebook.com

Zuck, Frank Gehry, and myself reviewing early models of the facebook campus in Menlo Park.

From startup to global platform. From digital-only to analog craft integration.

I joined Facebook when it had just opened beyond college campuses—a scrappy team of a handful of designers trying to figure out what this thing could become. While the tech world was obsessing over big data and global scale, we were building a brand surprisingly intimate and human. Say what you will about what the company has now evolved into, but at the time it was revolutionary and genuinely idealistic.

During Facebook's explosive growth from 2008-2013, I helped shape the brand identity, physical spaces, and creative culture that would set the trajectory for the company. I co-founded the Analog Research Lab, a rogue art studio whose primary mission was to reinforce company values through guerrilla street art provocations. I also collaborated with Frank Gehry on the iconic campus design—a 1 million square foot contiguous space to house the eclectic culture.

These weren't just projects—they were cultural foundations that proved a global platform could maintain its soul during its most formative years. The integration of analog handcraft with frontier technology became my signature, influencing how the entire industry thinks about preserving humanity at massive scale, both in building a brand and a company culture.

Facebook Analog Research Laboratory v1
Facebook Analog Research Laboratory v1
Facebook Analog Research Laboratory v1

Ben Barry and myself in the original Analog Research Lab

Ben Barry and myself in the original Analog Research Lab,
Featured in Wired Magazine

Facebook — Hack Courtyard
Facebook — Hack Courtyard

Agent provocateurs
inside the machine

The Analog Research Lab began as an unauthorized experiment—two designers transforming an unused warehouse into a printmaking studio without permission or budget. What started as creative rebellion became Facebook's most distinctive cultural asset, proving that even the most digital companies need physical spaces for human-scale creation.

I established the environmental design principles that would define Facebook's campus identity and inspire numerous companies, working directly with architects like Frank Gehry and Roman & Williams to create spaces that balanced high-tech functionality with analog warmth. These physical environments became as important as our digital products in shaping company culture and employee experience.

Beyond designing, I architected the creative function itself—hiring 20 designers and strategists, managing nine-figure + budgets, and driving our first brand and media agencies. In a fast-moving startup environment, I created operational frameworks that allowed creative work to sprout while keeping business objectives front and center.

Rather than choosing between creativity and business pragmatism, I built systems that served both—establishing hiring standards that prioritized craft and strategic thinking, budget processes that maximized creative impact, and agency partnerships that extended our capabilities without diluting our vision. This operational foundation became essential as Anthropic scaled from startup to industry leader.

From a small corner of a warehouse, to having satellite creative studios around the globe

Connect the dots

Connect the dots

Connect the dots

Connect the dots