I see creative potential where others see business problems. My work bridges the gap between digital innovation and human connection through making: whether it's handmade artifacts in tech offices, documentary films about scientific and societal progress, or creative workshops that make AI feel human.
At Facebook, I built a guerrilla art studio when the industry was just pixels and code. At Pinterest, I shifted the brand from digital discovery to physical creation. At Stripe, I turned a payments company into a teller of stories through book publishing and films. At Anthropic, I'm exploring how artificial intelligence can amplify rather than replace human creativity.
Each project starts with the same question: How do we use powerful tools to build culture, not just products? The answer always involves thinking with your hands—making tangible work that reveals what's possible when technology serves human curiosity rather than corporate metrics.
The best work emerges from contradictions: analog tools in digital spaces, rebellion within institutions, careful craft in fast-moving companies. I believe culture happens in the spaces between what something is supposed to be and what it could become.
I see creative potential where others see business problems. My work bridges the gap between digital innovation and human connection through making: whether it's handmade artifacts in tech offices, documentary films about scientific and societal progress, or educational workshops that make AI feel human.
At Facebook, I built a guerrilla art studio when the industry was just pixels and code. At Pinterest, I shifted the brand from digital discovery to physical creation. At Stripe, I turned a payments company into a teller of stories through book publishing and films. At Anthropic, I'm exploring how artificial intelligence can amplify rather than replace human creativity.
Each project starts with the same question: How do we use powerful tools to build culture, not just products? The answer always involves thinking with your hands—making tangible work that reveals what's possible when technology serves human curiosity rather than corporate metrics.
The best work emerges from contradictions: analog tools in digital spaces, rebellion within institutions, careful craft in fast-moving companies. I believe culture happens in the spaces between what something is supposed to be and what it could become.
