How buildings (un)learn
What if spaces could forget their institutional past? I help buildings shed their corporate amnesia—transforming sterile offices into impromptu salons, coaxing liminal spaces to recall they were always community parlors.
My practice involves archaeological revelation: peeling back decades of neutral paint to uncover the original mosaic wanting to catch light again. I approach environments as spatial wardrobes, sourcing colors like hunting vintage pieces; saffron that sparks conversations, indigo that holds contemplation, jade that carries memory of gardens…then composing them into experiences that envelope you like a your favorite coat.
What if spaces could forget their institutional past? I help buildings shed their corporate amnesia—transforming sterile offices into impromptu salons, coaxing liminal spaces to recall they were always community parlors.
My practice involves archaeological revelation: peeling back decades of neutral paint to uncover the original mosaic wanting to catch light again. I approach environments as spatial wardrobes, sourcing colors like hunting vintage pieces; saffron that sparks conversations, indigo that holds contemplation, jade that carries memory of gardens…then composing them into experiences that envelope you like a your favorite coat.
What if spaces could forget their institutional past? I help buildings shed their corporate amnesia—transforming sterile offices into impromptu salons, coaxing liminal spaces to recall they were always community parlors.
My practice involves archaeological revelation: peeling back decades of neutral paint to uncover the original mosaic wanting to catch light again. I approach environments as spatial wardrobes, sourcing colors like hunting vintage pieces; saffron that sparks conversations, indigo that holds contemplation, jade that carries memory of gardens…then composing them into experiences that envelope you like a your favorite coat.
